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Afro-American History: prepare a short paper one of the following topics:
1) The Harlem Renaissance, or
2) Ralph Ellison’s Invisible Man, or
3) Booker T. Washington and W.E.B. Du Bois, or
4) The Civil Rights movement
For paper, i should use only one item of evidence, either an item of visual evidence, for example from the museum visit, or a short text selection. Write a paper like this:
Discuss the historical importance of the evidence in relation to the topics of this course.
So you have to read any one chapter of the Book
(The New Negro voices of the Harlem Renaissance edited by Alain Locke)
also,
here are lists of the art works that is located in Brooklyn Museum. You can look
up this lists on the internet for using the example for the museum visit..
negro head, power figure, fragment of a head, plaque, nkisi figure, reliquary guardian figure, ray komai, Eastman Johnson(a ride for liberty), kara walker(burning African village play set with big house and lynching).

Write an Evaluation Argument Essay on Soldiers who are fighting after the fight

Write a paper that contains information on how undercover Internet Investigations are conducted, including descriptions of a typical investigator’s online activity, and other aspects of an investigator who is tracking a potential sex offender online.

The purpose of the paper is to give tourists and others geologist some information about Al-Hijr.Write about Mada’in Saleh:
1- Name
2- Location
3- History
4- Qasr al-Bint
5- Jabal al-Khuraymat
6- AL-Ula City
7- Qsar Farid
8- Post-Nabatean

Pearl Harbor the Sacrificial Lamb for The Good of The Many: paper is about the controversy that FDR knew about the attack on Pearl Harbor before it happened
Paper should address the following topics:
-a well-developed description of the topic
-an explanation of the debate regarding the historical topic
-the relevance or importance of the topic within the context of the time period

QUESTION: NATHANIEL HAWTHONE, HERMAN MELVILLE, EDGAR ALLAN POE ALL EXPRESS SKEPTICISM ABOUT AN UNLIMITED HUMAN POTENTIAL SEEING OUR NATURES AS INHERENTLY FLAWED, IN A VARIETY OF WAYS, FOR A VARIETY OF REASONS. USING “THE MINISTER’S BLACK VEIL” BY HAWTHORNE, “THE BIRTH MARK” BY NATHANIEL HAWTHORNE, AND “THE IMP OF THE PERVERSE” BY EDGAR ALLAN POE DISCUSS HOW THIS WRITERS PORTRAY HUMAN NATURE AS LIMITED IN ITS POTENTIAL.

Taking Sides and Collaboration by Ronald Hardwood: Both Taking Sides and Collaboration by Ronald Harwood have been written with such intentional
ambiguity that taking the ethical, political, or cultural “side” of an individual protagonist in each work is essential to
the process of making the texts comprehensible. Using evidence from the selected text, support the ethical, political,
or cultural superiority or acceptance of the protagonist of your choice in either (A) Taking Sides or (B) Collaboration.

If possible, discuss how existentialism is found in the reading.

Characteristics of paper: copious quotations from the reading, complete and lucid definition of terms, extended and
logical development of themes and ideas under scrutiny, consistent use of detailed examples from the films or
works under discussion, abundant evidence that the reading is being integrated and supplementary research
sources are being employed–a rich, extended, textured, and nuanced presentation

How are commodities central to globalization processes? How has that centrality played out in the five ethnographies, and how do different commodities function differently in peoples’ lives? Relate the paper title with five books:
1. Wilk, Richard. 2006. Home Cooking in the Global Village: Caribbean Food from Buccaneers to Ecotourists. London: Berg.

2. Miles, Ann. 2004. From Cuenca to Queens: An Anthropological Story of Transnational Migration. Austin: University of Texas Press.

3. Allison, Anne. 2006. Millenial Monsters: Japanese Toys and the Global Imagination. Berkeley: University of California Press.

4. Stoller, Paul. 2002. Money Has No Smell: The Africanization of New York City. Chicago: University of Chicago Press.

5. Weiss, Brad. 2009. Street Dreams and Hip-Hop Barbershops: Global Fantasy in Urban Tanzania. Bloomingtom: Indiana University Press.

Watch movie “Mean Creek” and write about theme. How it relates to Harry Potter themes?

Watch the movies “The Gilmore Girls (Season 1, Episode 1 & Pushing Daises (Season 1, Episode 1) ” also I will be uploading you some readings. Also, read Gerig, Chapter 5. (Text): Romantic vs. Screwball Comedy: Charting the Difference, Wes D. Gehring (ISBN: 0-8108-4424-9) Here is what I need is for you to answer these questions in three paragraphs NUMBERED with each paragraph containing at least 90 words in each. (Questions for #1 Paragraph): Johns and Smith explain that The Gilmore Girls “established itself as a drama that indulges in an idealized world, a fictional utopia known as Stars Hollow” (23), which corresponds with the classlessness and play of the screwball comedies. What other characteristics of the screwball comedy do you see in The Gilmore Girls and Pushing Daisies? (Questions for #2 paragraph): Johns and Smith explain that in The Gilmore Girls throughout every relationship in the show, communication through fast-paced talking and quick quips becomes an essential element of the narrative structure” (25). This is true in Pushing Daisies as well. How does the speed of speech work with the speed of the narrative to set the tone of these two shows? (Questions for #3 paragraph): Johns and Smith raise the question “why are these Gilmorisms so significant?” In the wide range of shows now on television, The Gilmore Girls and Pushing Daisies have been two of the only shows in recent memory that feature contemporary versions of the fast-talking dame. How does this style carry over into contemporary culture? How are they similar to classic fast-talking dames and how do they differ? Why are the significant within the wider context of popular culture now and then?